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❤️ Casino al di meola


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On 15.04.2018
Last modified:15.04.2018

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casino al di meola

Drittes Soloalbum des brillianten Jazzrockgitarristen Al Di Meola aus dem Jahr Ein instrumentaler atemberaubender Mix Aus Jazz, Jazzrock, Latin. Al Di Meola (Geburtsname Al Laurence Dimeola; * Juli in Jersey City, New Jersey) ist . Gypsy (Columbia/Sony; etwa zwei Millionen Verkäufe); - Casino (Columbia/Sony; etwa 1,5 Millionen Verkäufe); - Splendido Hotel. Al Di Meola: Casino; 1LP g 33rpm Standardcover, Beilage; Hersteller: Speakers Corner; Veröffentlichungsdatum: Guthaben aufladen englisch um Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. His playing is crisp and precise. Beautiful recording from Al. Amazon Business Kauf auf Rechnung.

Casino Al Di Meola Video

Chasin' the Voodoo

Casino al di meola -

Beautiful recording from Al. As it turned out, it was and I am glad for it. Alle drei in den Einkaufswagen. I listened to it many, many times and I was convinced that it was a bad album. Navigation Hauptseite Themenportale Zufälliger Artikel. Kunden, die diesen Artikel angesehen haben, haben auch angesehen.

It's the song that inspired me to get the album because I had heard it before and I loved every second of it. Chasin' the Voodoo begins with rapid percussion and a groovy bass line before becoming a solid foundation for Di Meola's nice mixture of chords and machine gun soloing.

Dark Eye Tango is a nice contrast to the first two tracks, with a much more laid back and mellow environment. It's not as brilliant as the first two pieces, but it's a solid piece that doesn't really detract or lower the overall quality of the album.

It has a nice steady beat and some very creative percussion giving it a very smooth latin flavor. Fantasia Suite for Two Guitars is a wonderful acoustic piece with a nice majestic feel and a great pace, as well as some fantastic guitar work.

It really shows Di Meola's versatility on both electric and acoustic guitars. Casino ends the album on a high note with sensational riffing from Di Meola and a stellar bass performance from Anthony Jackson.

The track has a nice flow and it really evolves and regresses well all within a nice 9 minute time frame.

In the end, Casino is a great starter for those looking into Al Di Meola. Although it wouldn't be his best album, there is a lot to like here and any aspiring musician or fans of guitar oriented music will surely feel right at home with this album because again Di Meola is a stupendous guitarist who's chops never cease to amaze me.

The excellent Mingo- penned Chasin' The Voodoo has obviously also some Santana feel, but this is even more understandable when thinking of Lewis's previous journey.

One of the more irritating side of ADM is his aesthetically unhealthy love affair with Flamenco, a style in which he obviously pales in comparison with the masters of the genre including the famous trio with DeLucia and McLaughlin , and his Fantasia Suite For Two Guitars absolutely fails to convince me, much the same way the UK-US group Carmen tried a few years earlier.

But Casino is certainly at least worth Midnight Sun and Gypsy, so I'd have a hard time choosing one or even two of the three!

This is really the only rocker on the album, and of course that means it's the highlight for me. These are all quite solid numbers, and each feature unique qualities that add nicely to the album's overall diversity, from the tempo changes in Egyptian Danza, the beautiful guitar vibrato in Dark Eye Tango, and the lively guitar interplay in Fantasia Suite.

However, for reasons that I can't quite articulate, they usually fail to hold my attention the way some of di Meola's previous work does.

If there is a microcosm of di Meola's maturation, it's this. Here he takes a Return to Forever classic, and actually slows it down possibly in response to some of his anti-shredding critics.

Needless to say, I prefer the frenzied interplay of the original, and this version just seems tame boring even by comparison.

I'm pretty sure a younger di Meola would not have taken this cautious approach. At nearly ten minutes, and as the album closer, I had high expectations for this one.

In hindsight, probably too high. A promising opening and subsequent build around a familiar Latin bassline leads to some misplaced slow parts that just don't do it for me.

Sure, there's a nice, energetic finish, but any momentum has long been extinguished by that point. Pleasant and somewhat catchy, nothing more.

Overall, a well-produced and performed album. For me, things are just a bit too polished and restrained read: It would be one thing for this to be a blip on di Meola's radar, but unfortunately for me at least , this trend toward restraint and "professionalism" would only increase.

The same mediterranean, caribbean and hot latin background helps to stay relaxed and enjoy this beautiful intrumental work without be bored for one single moment.

There is nothing to add, I think. If you like Elegant Gipsy then you must put your hands on this one.

Many would probably say that Casino is inferior to the great Elegant Gypsy album. However, after many listens over a period of several years I begun realizing that Casino is actually very bit as good, if not better than Elegant Gypsy.

There are some truly great moments on Casino and the playing is, of course, excellent to say the least. Mind-boggling is more to the point.

I can definitely understand those who think that this type of music is over-technical and more concerned with speed and accuracy than with feeling and melody, but this does not apply to the present work.

There is indeed speed and accuracy in Al Di Meola's playing, but he also has both great musical feeling and a very good understanding of melody and composition.

Indeed, the compositions are almost as complex as the playing and I think that this is a reason for why it takes some effort to get into.

It requires an active listener like most progressive music. Following up the superb Elegant Gypsy was no mean feat, but Al di Meola gave it his best shot with the similarly styled Casino , released in Featuring a core band of Steve Gadd , Anthony Jackson , and Barry Miles whom di Meola came up with before the guitarist was invited to join Return to Forever , the playing is sharp and fiery, matching the youthful intensity of the leader.

Di Meola is a good composer in the fusion idiom, and the four original compositions on Casino , although clearly bearing the mark of Chick Corea 's influence, are strong.

His "Fantasia Suite for Two Guitars," featuring di Meola accompanying himself via multi-tracking, is beautiful and dramatic, and hints at the guitarist's later all-acoustic works such as Friday Night in San Francisco.

In fact, it is the leader's solos that frequently prevent the Latin grooves and rhythms found on Casino from sounding stale and a bit dated.

His trademark staccato phrasing and high-velocity improvisations are what is noticed upon first listen, but di Meola does have an excellent sense of phrasing that is undeniably present.

Contrary to popular opinion, he knows how to use his technique to good effect. Casino is not as strong as either Elegant Gypsy or Romantic Warrior , but is nevertheless well worth picking up for fans either of di Meola himself or of the entire s fusion scene.

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Streamen mit Unlimited Jetzt uhr casino Tage gratis testen. Champions league 2019 finale 1 von 1 Zum Anfang Rolling Dice Slots - Play Penny Slot Machines Online 1 von 1. Alle drei in den Einkaufswagen. Wird oft zusammen gekauft. Testen Sie jetzt alle Amazon Prime-Vorteile. Even when I did get some parts, it would be followed by a complex segment and I would lose my concentration and it would go right over my head. Warehouse Deals Reduzierte B-Ware. Fantasia Suite for Two Guitars. Inklusive kostenloser MP3-Version dieses Albums. As it turned out, it was and I am glad for tim wiese homepage. I listened to it many, many times and I was convinced that it was a bad album. With Slot liner it was much touristanbul difficult. Wird oft zusammen gekauft. Produktinformation Audio CD This is my favorite Di Meola album. Many would probably say that Casino is inferior to the great Elegant Gypsy album. In fact, it is the Beste Spielothek in Bramersberg finden solos that frequently prevent the Latin grooves and rhythms found on Casino tournaments sounding stale and a bit dated. Casino ends the album on a high note with sensational riffing from Di Meola and a stellar bass performance from Anthony Jackson. Sexy Trippy All Moods. Contrary to popular opinion, he knows how to use his technique to good effect. The track has a nice flow and it really evolves and regresses well all within a nice 9 minute time frame. Copyright Prog Archives, All rights reserved. However, Beste Spielothek in Fantsch finden reasons that I can't quite Wild symboler i spelautomater - Hur de fungerar i slots, they usually fail to hold my attention the way some of di Meola's previous work does. Casino Al Di Meola. Al DiMeola's various band set ups and albums are always interesting, some are truly brilliant, this album in particular has some inspiring ideas. Testen Sie jetzt alle Amazon Prime-Vorteile. As it turned out, it was and I am glad for it. Kunden, die diesen Artikel angesehen haben, haben auch angesehen. For the record, I'm not someone unused to complex music. Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Teilen Facebook Twitter Pinterest. Produktinformation Audio CD 8. Wo ist meine Bestellung? Mit ihnen tourte er durch die ganze Welt. Streamen mit Unlimited Jetzt 30 Tage gratis testen. Diese Seite wurde zuletzt am Without over-talking this disc, it's a real pleasant short instrumental work of '70s fusion with that distinctive flair that deftly proves that Al is one of the fusion guitar kings! This is my favorite Di Meola album. Land of the Midnight Sun. This song is intricate, Horror and highly complex. It is all played well, and highly entertaining, but for some reason I always feel like there's something missing from the title track, "Casino". These are all quite solid numbers, and each feature unique qualities that add nicely to the album's overall diversity, from the tempo changes in Egyptian Danza, the beautiful guitar vibrato in Dark Eye Tango, and the lively guitar interplay in Fantasia Suite. Al DiMeola's various band set ups and albums are always interesting, some are truly brilliant, this album in particular has some inspiring ideas. It's not as brilliant as the first two pieces, but it's a solid piece that doesn't really detract or lower the overall quality of the album. It requires an active listener like most progressive music. Drinking Hanging Out In Love. Forum user Forum password. Al Di Meola "Casino". Mind-boggling is more to the point. Beste Spielothek in Eisenhütte finden to say, I prefer the frenzied interplay of the original, and this version just seems tame boring even by comparison. Al Di Meola, releases his 3rd full-length album, ''Casino''. Casino Speakers Corner

Casino ends the album on a high note with sensational riffing from Di Meola and a stellar bass performance from Anthony Jackson.

The track has a nice flow and it really evolves and regresses well all within a nice 9 minute time frame. In the end, Casino is a great starter for those looking into Al Di Meola.

Although it wouldn't be his best album, there is a lot to like here and any aspiring musician or fans of guitar oriented music will surely feel right at home with this album because again Di Meola is a stupendous guitarist who's chops never cease to amaze me.

The excellent Mingo- penned Chasin' The Voodoo has obviously also some Santana feel, but this is even more understandable when thinking of Lewis's previous journey.

One of the more irritating side of ADM is his aesthetically unhealthy love affair with Flamenco, a style in which he obviously pales in comparison with the masters of the genre including the famous trio with DeLucia and McLaughlin , and his Fantasia Suite For Two Guitars absolutely fails to convince me, much the same way the UK-US group Carmen tried a few years earlier.

But Casino is certainly at least worth Midnight Sun and Gypsy, so I'd have a hard time choosing one or even two of the three!

This is really the only rocker on the album, and of course that means it's the highlight for me. These are all quite solid numbers, and each feature unique qualities that add nicely to the album's overall diversity, from the tempo changes in Egyptian Danza, the beautiful guitar vibrato in Dark Eye Tango, and the lively guitar interplay in Fantasia Suite.

However, for reasons that I can't quite articulate, they usually fail to hold my attention the way some of di Meola's previous work does.

If there is a microcosm of di Meola's maturation, it's this. Here he takes a Return to Forever classic, and actually slows it down possibly in response to some of his anti-shredding critics.

Needless to say, I prefer the frenzied interplay of the original, and this version just seems tame boring even by comparison. I'm pretty sure a younger di Meola would not have taken this cautious approach.

At nearly ten minutes, and as the album closer, I had high expectations for this one. In hindsight, probably too high.

A promising opening and subsequent build around a familiar Latin bassline leads to some misplaced slow parts that just don't do it for me.

Sure, there's a nice, energetic finish, but any momentum has long been extinguished by that point. Pleasant and somewhat catchy, nothing more.

Overall, a well-produced and performed album. For me, things are just a bit too polished and restrained read: It would be one thing for this to be a blip on di Meola's radar, but unfortunately for me at least , this trend toward restraint and "professionalism" would only increase.

The same mediterranean, caribbean and hot latin background helps to stay relaxed and enjoy this beautiful intrumental work without be bored for one single moment.

There is nothing to add, I think. If you like Elegant Gipsy then you must put your hands on this one. Many would probably say that Casino is inferior to the great Elegant Gypsy album.

However, after many listens over a period of several years I begun realizing that Casino is actually very bit as good, if not better than Elegant Gypsy.

There are some truly great moments on Casino and the playing is, of course, excellent to say the least. Mind-boggling is more to the point.

I can definitely understand those who think that this type of music is over-technical and more concerned with speed and accuracy than with feeling and melody, but this does not apply to the present work.

There is indeed speed and accuracy in Al Di Meola's playing, but he also has both great musical feeling and a very good understanding of melody and composition.

Indeed, the compositions are almost as complex as the playing and I think that this is a reason for why it takes some effort to get into. It requires an active listener like most progressive music.

Meola's albums are often thought about as a guitar albums, but we should not forget the keyboards, basses, drums and Latin percussions which are essential to his style and equally well played and impressive as the guitar playing itself.

The whole album is sonically perfect with excellent production. The Fantasia Suite For Two Guitars is an amazing Flamenco-style acoustic guitar four part composition in line with Mediterranean Sundance from Elegant Gypsy but more loaded with themes.

I get chills down my spine evertime I hear this! This song is intricate, exotic and highly complex. This song would feel right at home on any of the classic RTF albums.

But this is a superb song nonetheless. Please enable JavaScript in your browser to use the site fully.

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Fantasia Suite for Two Guitars:

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